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Female,
17 years old
City of two seasons., Canada
 Offline
- Last On:
18hrs ago
8 Buddies
11 Subscribers
738 Profile Views
5,442 Posts |
Member Since: 6/30/2008
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(No profile music for KnifeGoingIn)
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| Interests: |
Music
/ Arts/Crafts
/ Learning
/ Photography
/ Books
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| Homepage: |
(None)
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| Birthday: | 6/14/1991
(17 Years Old)
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| IM Type: |
(Decline to State)
IM Name: |
| Occupation: | Observer. |
| Marital Status: |
Single
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| Sexual Preference: |
(Decline to State) |
| Religion: |
Other |
| Politics: |
Liberal |
| Fav. Movie: | Currently: Nothing. |
| Fav. TV Show: | Currently: Ghost Hunters. |
| Fav. Book: | Currently: Wasted. |
| Fav. Song: | Presently: `The Girl` - City and Colour. |
| Fav. Food: | Cardboard. |
| Fav. Car: | Zephyr. |
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| Theme 'Light vs. Dark' created by anthropology |
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It’s a brief, fleeting moment, but to me, it’s the whole play. After Christine kisses the Phantom, she immediately hugs him, then kisses him again. But in between the hug and the second kiss, there is a moment. There is a moment when she holds his face -his unmasked face- in her hands, looks him straight in the eyes, and really sees him. There is no dialogue, no singing, just music at the moment, but if the Phantom could hear Christine’s thoughts, I believe she would be saying, “I see you. I see all of you…and it’s okay.” Then, she kisses him again. It is the ultimate validation. It’s what every human being craves- to be seen, wholly seen- the good, the bad, and the ugly- and to be deemed worthy. Whose minds would we be able to change if everyone were on our side?
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